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Kill-humor, long shots, and the future of hunting

Photo by Steven Depolo

Photo: A hunter stands in the woods, rifle to his shoulder, looking through the scope.

Caption: “All you can think about is how good this shot is going to feel.”

I saw the advertisement several years ago. I don’t remember if it was for the rifle or the scope. I don’t even remember what magazine it was in—I’m guessing Field & Stream. What I do remember is how much it bothered me. For most of the last year, it has been simmering on one of my mental back burners, a potential ingredient for a blog post.

Then, a few days ago, I got an email from Kevin Peer, drawing my attention to two ads that recently appeared in Bugle.

Curious, I flipped open the magazine to have a look. (I’ve been too busy to sit down with Bugle lately. Though I’ve never hunted elk—New England’s wild population was extirpated long ago—I joined RMEF to support their conservation work.)

The first ad, for Hodgdon Superformance rifle powder, pictured a white-tailed buck wall mount with a grotesque expression on his face: ears back, mouth open in a bizarre, surprised-looking grimace, tongue whipped to one side. The ad was titled “Speed Kills” and promised that “your next target won’t know what hit ‘em.”

The second ad, for Tikka’s T3 rifle, pictured a buck standing on an open plain. Encircling his neck was a wooden plaque, as if he was already taxidermied. The caption read, “What a Tikka hunter sees from 450 yards.”

I had a visceral negative reaction to the first ad. So did Cath, who does not hunt. She summed it up nicely: “That’s gross.” As Kevin said, the deer’s face was disturbingly comical, like something out of a cartoon. It made light of killing. Despite my macabre sense of humor and my appreciation for the occasional wisecrack about venison and Santa’s sleigh team, I did not find the image funny.

The second ad didn’t bother me as much, perhaps because it left the animal with some dignity and was tastefully composed in black and white. But I still had to agree with Kevin: It suggested that hunters can and should take 450-yard shots, particularly when a trophy is available for the taking. Not many hunters are capable of making a clean kill at that distance, no matter what rifle they’re using.

What concerns me is not any individual ad, magazine, or manufacturer. What concerns me is the big picture: all the ways we represent hunting.

Thinking about these things over the past couple days, I re-read Bill Heavey’s Field & Stream column from several years back, “Morons Among Us.” Heavey deplores an online post in which a guy complains that he didn’t get to entertain himself by humiliating a buck before the animal died. He deplores another post in which a bowhunter touts his success in shooting a doe in the brain. Firing an arrow at a deer’s head, Heavey notes, is “ethically indefensible”—the chances of a clean kill are far too small.

Compared to those gruesome posts, the ads I’ve mentioned are very mild. Subtly, though, aren’t they conveying similar messages?

Aren’t they saying that killing is comically entertaining (buck grimacing, tongue whipped to one side) and pleasurable (“All you can think about is how good this shot is going to feel”)? Aren’t they saying that it’s okay to shoot when the chances of a clean kill are small (the average hunter at 450 yards)?

Like Kevin Peer and Bill Heavey, I’m concerned about the future of hunting.

And I’m wondering: Can we afford the promotion of these values, even in subtle form? Can we afford their effect on current and potential hunters, both youth and adult? Can we afford the confirmation of non-hunters’ and anti-hunters’ worst suspicions?

When we see hunting portrayed in ways that disturb us, how should we respond?

One thing that struck Heavey: in those online forums, the two posts he mentioned were “met by a resounding absence of anger or censure.”

© 2011 Tovar Cerulli

Wounded animals, Uncomfortable hunters

Back in November, a fellow hunter and I talked about an essay he’d written. In it, he described stumbling onto a deer that had been wounded by someone else. When the piece was published, he heard from some disgruntled hunters. They didn’t like seeing that kind of story in print.

A couple months later, I was at a public hearing about hunting. During it, a woman voiced concerns about the wounding and loss of deer and moose in archery seasons. When she spoke, disgruntled hunters started muttering loudly. They didn’t like hearing that kind of talk.

A month after that, a filmmaker and I talked about a film she’d made. In it, she showed several hunting scenes, including one where the animal did not go down with the first shot. When the film was shown, she heard from some disgruntled hunters. They didn’t like seeing that kind of story on screen.

I wonder how such disgruntlement sounds to the non-hunting majority. Does it sound like these hunters don’t care about the wounding of animals? Does it sound like they’re trying to hide or minimize something?

It’s not as though wounding is any secret. Hunters have written entire books on how to find wounded animals. Wildlife biologists have done studies on wounding-and-loss rates. You can find discussion threads about wounding on hunting and anti-hunting websites alike.

I also wonder:

  • Do hunters dislike the public dissemination of stories about wounded animals mostly because they fear it will harm hunting’s public image?
  • Or does their discomfort also stem from being reminded that hunting can be messy, that it is not always the clean-killing endeavor we wish it was?

I once saw a broadhead buried in a deer’s skull. The animal apparently survived that way for a year or more.

I once heard a hunter describe a gruesome picture caught by his trail camera: a buck with leg muscles torn apart, presumably by a rifle bullet. He grimaced and shook his head. He doubted the animal would survive.

Do I like seeing such things, or hearing such stories? Hell, no. They make me queasy.

But I think it’s a good kind of queasy. It’s the kind that makes me careful.

© 2011 Tovar Cerulli

Mother Nature’s Child (or Girl the Hunter)

Even before the film started, my antennae were up.

Cath and I had gone to the January 25th screening of Mother Nature’s Child: Growing Outdoors in the Media Age out of general curiosity. The documentary’s message would, I expected, be much like that presented by Richard Louv’s compelling book Last Child in the Woods.

In her brief remarks before the lights went down, however, filmmaker Camilla Rockwell had piqued a more specific interest. She said that certain parts of the film were “edgy.” She would be curious to hear how people felt about them.

What would be “edgy” in a documentary about connecting kids to nature?

My gut gave one answer: hunting.

In Louv’s book, I recalled, several pages were devoted to “The Case for Fishing and Hunting.” Louv wrote that these activities “remain among the last ways that the young  learn of the mystery and moral complexity of nature in a way that no videotape can convey.” As a non-hunting angler, though, his focus was on fishing. Hunting remained in the background.

Settling into my seat, I enjoyed the first half of the film. It’s a well-crafted piece, blending footage of young people outdoors with excerpts from interviews with adults. We saw suburban kids running through the woods and crawling through hollow logs, their voices high with excitement. We saw urban teenagers planting gardens and learning to fly-fish. We heard from teachers, parents, and researchers.

Watching and listening, I was reminded just how crucial interaction with the natural world is for children’s physical, emotional, mental, and spiritual health. I wondered, not for the first time, who I would be today if I had not spent my boyhood summers almost entirely outdoors, wandering the woods, fishing for brook trout, catching tadpoles and bullfrogs.

And then, halfway through the film, there she was: a girl about ten years old, headed to the Vermont woods with her grandfather—in blaze orange.

Rachel, grandfather, and deer Courtesy of Mother Nature's Child

Sitting there in the Montpelier’s independent theater, The Savoy, we watched the girl handling a rifle. We watched her waiting in the woods. We saw clips from interviews: Nancy Bell of The Conservation Fund talking about her respect for animals and why she hunts, Jon Young talking about how close contact with nature helps young people confront deep questions concerning life and death. Finally, we saw a still image of girl and grandfather. Beside them hung a dead deer: her first.

Fifteen years ago, I would have been horrified. Killing animals, I would have argued, has nothing to do with encouraging healthy relationships with nature, especially for kids.

Now, I see it differently. The filmmakers—both of them non-hunters—have given us a fine documentary about children’s relationships with the natural world. They have also given us a stereotype buster: women and girls hunt, and environmentalists, too! Perhaps most importantly, they have given us a great conversation starter.

The film opens a door for hunters and non-hunters to talk about hunting. Why do some of us hunt? What is it about hunting that others find revolting? Is it helpful to distinguish between stereotypes and first-hand experiences? Is it helpful for non-hunters to hear from actual hunters about how they relate to nature and animals? And, of course: What roles can or should hunting play in young people’s lives?

The film also opens a door for hunters and non-hunters to talk about our shared love of nature. It’s high time, after all, that conservationists—hunters, non-hunters, and anti-hunters—stopped lobbing political firebombs at each other.

It’s time we heeded the warning issued by Richard Nelson in his introduction to A Hunter’s Heart: “After we’ve lost a natural place, it’s gone for everyone—hikers, campers, boaters, bicyclists, animal watchers, fishers, hunters, and wildlife—a complete and absolutely democratic tragedy of emptiness.” Unless we work together, how can we insure that there will be natural places left for our children to relate to?

In the post-screening discussion, it so happens, not one person drew attention to the segment on hunting.

No, I take that back. One person did, indirectly. A man stood up to say that his young son, who appeared in the film, has now taken hunter safety and has put both squirrel and rabbit on the family dinner table. The father—a non-hunter (so far)—made it clear: connections with nature, including hunting, have done the boy nothing but good.

Notes: If you know of film festivals, schools, or outdoor education centers that might be interested in showing the film (or buying the DVD), please mention it to them. If you happen to live near any of these upcoming screenings, check it out in person:

  • 3/17 – Vermont Institute of Natural Science, Quechee, VT
  • 3/24 – CT Outdoor & Environ. Educ. Assn Conference, New Britain, CT
  • 3/25 – Environmental Film Festival, Washington, DC
  • 3/26 – Green Mountain Film Festival, Montpelier, VT
  • 4/5 – Springfield Conservation Nature Center, Springfield, MO
  • 5/18 – Shelburne Farms, Shelburne, VT

To learn more about Richard Louv’s work, visit the Children & Nature Network.

© 2011 Tovar Cerulli

Adult-onset hunting: Know the signs

Experts have not yet determined whether Adult-Onset Hunting™ (AOH) is an epidemic. What they do know is that thousands of people are afflicted.

More than a year ago, it was known—and reported in a widely read New York Times article—that a growing number of U.S. citizens had the condition. According to a recent article in Toronto’s National Post, a number of Canadian citizens have contracted it as well. The geographic epicenter is unknown. Though early reports suggested that AOH is most commonly contracted in cities, recent research indicates that it is even more virulent in rural areas.

Experts suspect that AOH may have lain dormant in the American psyche for generations, feeding off 19th-century stories about Daniel Boone.

The most recent outbreak appears to be a mutation, triggered in part by widespread interest in knowing more about one’s food sources than is psychologically healthy. One pathological example often cited by both experts and adult-onset hunters is journalist Michael Pollan’s twin desires to visit cattle feedlots and to shoot a wild pig.

When fully developed, the primary symptoms of AOH are unmistakable: an otherwise normal, heretofore-non-hunting adult repeatedly goes to woods, fields, or marshes with a deadly implement in hand, intent on killing a wild animal.

Other potential symptoms include (1) a feeling of connection to nature, to one’s food, and to one’s hunter-gatherer ancestors, and (2) a re-calibration of one’s beliefs about hunting. Previous beliefs may suffer from atrophy, seizures, and even death, especially when an anti-hunter contracts AOH.

Knowing the early warning signs may protect you or a loved one from the worst effects. These early signs include:

  1. Excessive reading about the production of industrial food, especially factory meat.
  2. Esophageal spasms upon learning that the average pound of supermarket ground chuck contains meat from several dozen animals slaughtered in five different states.
  3. Sudden bouts of wondering why the local food co-op—with its cooler full of local, organic, free-range meats—doesn’t sell hunting licenses.
  4. Compulsive eating of “real food” purchased directly from farmers.
  5. Recurrent realizations that farmers are killing deer and woodchucks to keep organic greens on your plate.
  6. Impaired ability to find meaning in chicken nuggets or tofu dogs.
  7. Insistence on a literal reading of Woody Allen’s dictum “Nature is like an enormous restaurant.”
  8. An uncharacteristic compulsion to initiate dinner conversation about firearms.
  9. Impaired ability to see humans as separate from the rest of nature.
  10. Repeated contact with real, live hunters (experts suspect that AOH is highly contagious, though transmission mechanisms are not yet fully understood).

Early diagnosis is problematic, as other potential warning signs include interests in hiking, gardening, fishing, mushroom hunting, raising chickens, cooking, and eating. Even vegetarianism can be a precursor condition, particularly if your acupuncturist has recommended that you add animal protein to your diet.

Alarmingly, growing up in a non-hunting or anti-hunting family does not guarantee immunity.

Experts have begun searching for a genetic marker indicating a predisposition for AOH. Until an accurate test is available, researchers recommend following these guidelines:

  • If you or someone you know exhibits 0-3 of the above signs, the risk of adult-onset hunting may be low. You are urged to watch for further symptoms.
  • If 4-6 of the above signs are present, immediate action is required to prevent a full-blown case of AOH. Recommended precautions include (A) obstinate refusal to think about where one’s food comes from, especially any meat consumed, and (B) at least one-half hour per day of reading about how humans are, in fact, extraterrestrials.
  • If 7-10 of the above signs are exhibited, adult-onset hunting is already entrenched. Primary symptoms will begin to appear in a matter of weeks. Sign up for a hunter education course as soon as possible and find a hunter willing to show you the ropes.

There is no known cure.

© 2011 Tovar Cerulli

Redneck culture, city culture: The clash over hunting

Eighteen years ago, I had no doubt: hunting was wrong.

Not that I made big distinctions among kinds of violence. I abhorred the idea of industrial meat operations, and thought little about the alternatives. Why split hairs? A murdered animal was a murdered animal.

Hunting, however, did seem especially gratuitous. We no longer needed to do it. Thanks to agriculture we now had ample plant matter to survive on.

At the same time, though, I mourned the extermination of indigenous hunter-gatherer cultures around the world.

If someone had pointed out that contradiction—the fact that I wished for the survival of cultural traditions that involved killing animals—I probably would have argued that such cultures, like ours, could make moral progress away from hunting and meat-eating.

Yikes. Might I have made a good missionary?

I also would have argued that indigenous cultures respected animals in ways that Euro-American culture did not. My problem wasn’t really with human predation in all times and places. My problem was with hunting here and now: mainly white folks with guns.

Now, most of two decades later, a new book has me reflecting on the views I held back then.

In A Matter of Life and Death: Hunting in Contemporary Vermont, anthropologist Marc Boglioli argues that mainstream American culture is increasingly dominated by a particular way of seeing (and talking about) nature and animals. “Killing beautiful wild animals,” he writes in the Introduction, “simply does not fit into the mainstream urban worldview.”

Consider the quote he pulls from Matt Cartmill’s book A View to a Death in the Morning, where hunting is characterized as “the rural equivalent of running through Central Park at night, raping and murdering random New Yorkers.” Or the quote from a commentary by animal rights philosopher Tom Regan: “The gestalt of rural people, their whole way of viewing the world, is radically different from somebody living in Washington, D.C., and the more we understand the other layers of it, the more we can practice ‘hate the sin, love the sinner.’”

In short, Boglioli argues, hunting is characterized as “a morally deficient aspect of rural American culture”:

I believe my research clearly shows that antihunting sentiment is not a product of a more highly developed sense of ethics or a greater ‘respect for nature’ among nonhunters, but rather is just one aspect of a rural/urban cultural debate that masquerades as a discussion of moral absolutes.

I wonder: Was that me eighteen years ago?

My ethical concerns about the treatment of animals were—and continue to be—sincere. But was my attitude toward hunting rooted in the cultural debate Boglioli suggests? Though I grew up in the country, my parents did not. I had one uncle who hunted, but I did not come from a “rural” family.

As further evidence of the urban elite’s condemnation of rural American practices, Boglioli points to his own discipline: anthropology.

Hunter-gatherer cultures such as the Inupiaq, Mbuti, and Bushmen have been studied for decades. Their hunting practices, beliefs, and rituals have been well documented. But people such as those Boglioli studies—hunters in rural Vermont—have been essentially ignored. Prior to A Matter of Life and Death, he notes, only one book-length ethnographic study of Euro-American hunting had ever been published: Stuart Marks’s 1991 Southern Hunting in Black and White.

What value could there possibly be in studying rural American hunters, in understanding and writing about their beliefs, practices, and ways of relating to animals and nature?

A lot, I think.

For one thing, it might help us reconsider the sharp divide in our ideas about “noble savages” and “ignoble Westerners”—a split which, Boglioli notes, is “slipping into the realm of caricature.”

Note: In Boglioli’s book and in this blog post, “urban” and “rural” refer not to individual people, but to cultures—systems of meaning that tend to predominate in certain types of places. Some hunters, of course, grow up or live in cities, just as some anti-hunters grow up or live in the country.

© 2010 Tovar Cerulli

Unposted: Hunting, neighborliness, and private land

When Cath and I moved to our home here in the hills on the eastern side of the Winooski Valley, there was one group of people I wanted to keep off our few acres: hunters.

Anywhere you stood on our land—or fired a rifle—you were within a few hundred yards of our house. In most spots, you were a lot closer than that.

Our driveway is part of an old railroad bed, long used as a trail by hunters, hikers, bicyclists, cross-country skiers, and snowmobilers. Decades ago, after part of the railbed embankment washed out and disappeared downstream, a trail detour was put in around our house and driveway.

That detour winds through our woods just seventy yards from the back porch.

With safety in mind, and not liking the idea of hunting much, I did the obvious thing. I bought a roll of those ubiquitous bright yellow signs. Several went alongside the trail detour: not blocking it, but telling folks to stick to it.

Six years later, I started hunting.

Our few acres, though convenient, offered little opportunity. And, anywhere I stood—or fired a rifle—I was close to the driveway, the house, a neighbor’s house, or the frequently used trail. State land offered greater opportunity and safety, if I drove some distance to reach it. But the most convenient combination of opportunity and safety was offered by the hundreds of acres of timberland stretching out behind our house: others’ private property.

So I asked permission to hunt there.

Landowners who had grown up elsewhere thanked me for asking, and said yes.

Landowners who had grown up here were baffled by my question. Their land wasn’t posted. Didn’t I know that meant I could hunt it? (I did. The liberty to hunt on un-posted, un-enclosed private land was inscribed in Vermont’s Constitution two centuries ago.)

Talking with these landowners, I got thinking about our yellow signs.

I didn’t want to tempt fate by removing them entirely. In the previous few years, careless hunters had killed two bystanders in Vermont: one man picking berries where a hunter expected to see a bear, and another sitting in his living room watching television a long way from where a hunter missed a deer.

Reading those stories in the newspaper, I found little consolation in the statistical fact that hunting-related injuries to humans are (1) very rare and (2) almost always self-inflicted or inflicted on another hunter.

Hunters still needed to know that our few acres were not a place for shooting.

That message, though, could take a different tone.

© 2010 Tovar Cerulli

Hunting philosophy for (and by) almost everyone

A philosopher I am not.

Not in the academic sense, at least. My formal education in the subject consists of a single undergraduate class—“Reason and Argument”—which left me impressed by the contortions through which the human animal is willing to put its gray matter.

So, some fifteen months ago, when I saw a “call for abstracts” for a new anthology of philosophical essays on hunting, I had reason to doubt my suitability as a contributor. The editor welcomed abstracts from philosophy, of course, and also from a number of other disciplines—such as anthropology, political theory, and theology—in which I was equally unqualified.

Yet there was this one little phrase. They also welcomed abstracts from “thoughtful hunters.”

After a few helpful email exchanges with the editor, Nathan Kowalsky of the University of Alberta, I said, “What the heck. Why not?” and shot from the hip, firing off a 250-word description of the 4,500-word essay I would write if he and his colleagues wanted me to.

A month later, I got word that they did.

Hello. Time to step up to the plate and deliver “Hunting Like a Vegetarian: Same Ethics, Different Flavors.”

Jump a year ahead and here we are: the book, Hunting: In Search of the Wild Life, has just been released, as part of Wiley-Blackwell’s series Philosophy for Everyone.

My complimentary copy hasn’t arrived yet, so I can’t give you a review.

What I can do is tell you that the mix of voices is remarkable. In addition to contributions from a fascinating group of folks who, unlike me, are trained in philosophy (including environmentalist and vegan Lisa Kretz and weapons fanatic Jesús Ilundáin-Agurruza), there are essays, for example, by Canadian zoologist Valerius Geist, Algonquin hunter Jacob Wawatie, and historian and bird-trap builder Paula Young Lee.

I can also point you to the partial preview available on Google Books.

And I can point you to the first review of the book (review copies go out early), posted on Sustainablog by Justin Van Kleeck who, appropriately enough to my way of thinking, is vegan.

Enjoy! And I promise: my next post will not be about books, present or future.

Note: If you end up with a copy of the book in hand, and decide to read my essay, two small caveats. First, it is a smidge drier than my average blog post. Second, no sooner had the editing been finalized than I learned that some of the greenhouse gas figures given in the U.N. report Livestock’s Long Shadow, which I reference early in the essay, had been discredited. Ah well, it’s the spirit of the thing that counts.